#memes

#memes

#memes

More Cowbell: The ‘Revolutionary Girl Utena’ Rewatch, Part 16

Nanami’s got a fever, and the only prescription is more cowbell.

The bird is fighting its way out of the egg. The egg is the world. Whoever wishes to be born must destroy a world. The bird is flying to God. The god is named Abraxas.

—Herman Hesse, Demian

Revolutionary Girl Utena, episode 16: “The Cowbell of Happiness.” Directed by Kunihiko Ikuhara. Character designs by Chiho Saito. Be-Papas, 1997 (Nozomi Entertainment, 2011). Approx. 24 minutes. Rated “16+.”

Watch for free.

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This is, hands down, the worst episode in Revolutionary Girl Utena. It’s also one of the weirdest, which is saying something.

We have reached another of the so-called “Nanami episodes,” that is, filler episodes starring Nanami, the spoiled little sister of the student council president Touga. Nanami, just as a reminder, is not even a character in the manga version, but she gets lots and lots of screen time to herself in the anime.

Nanami smugly wears a cowbell
And I hear they’re free.

Most of the episodes focused around Nanami involve her trying to show off or get the better of someone else, and getting owned for it. This is in that same vein.

Continue reading “More Cowbell: The ‘Revolutionary Girl Utena’ Rewatch, Part 16”

#memes

Dammit, Disney

‘Fancy Nancy,’ Episode 1: A Discussion

I’m not sure what kind of review this is going to be because I haven’t decided yet what I think of this show. I hated it at first, and then it grew on me.

Under discussion here is Fancy Nancy, a show on Disney Junior. I need to give a little background in case you’re wondering why I’m talking about a CGI Disney Junior show on a blog largely dedicated to magical girls and other weebery.

To put this in terms that my fellow weeaboos can appreciate, it goes like this: Have you read Yotsuba&!? And did you like it? Well, there are a whole bunch of books just like it in the kid lit section at your public library.

Something of a scientist meme macro

In fact, I would recommend that serious anime fans explore some of the chapter books and junior novels at the library, mostly just to find out what they’re missing. American writers of children’s literature give the impression of being people who’ve actually observed children closely before attempting to impersonate them on paper, whereas Japanese creators of manga and anime give the impression of being people who’ve heard rumors of children but have never actually seen any. The next time somebody asks me to justify why I think Cardcaptor Sakura or Lyrical Nanoha is poorly written, I think I’ll just wave a Judy Moody under his nose and say, “Here! Read this! Then you’ll understand!”

Continue reading “Dammit, Disney”

Is Crunchyroll Crashing and Burning?

I’ve been hesitant to talk about it because most of what is coming my way is rumor-mongering.

I’ve sometimes defended Crunchyroll on this blog because I like what they do, mostly, but I’m becoming increasingly displeased and am beginning to share the same distaste for Crunchy that colors much of my Twitter feed.

First, there’s Crunchy’s longstanding failure to update its player, which is still running on the security nightmare that is Flash while the rest of the internet has moved to HTML5.

Then there is High Guardian Spice. It’s not so much that Crunchyroll wanted to follow other streaming services in creating dubious original content, but that it rolled it out in the most obnoxious way possible, failing to advertise the show itself but instead virtue-signalling about the sex of the staff working on it. On top of that, further checking reveals that the cartoon is based on somebody’s Tumblr comic, and that the characters are the standard smorgasbord of “diversity,” meaning everyone in the story thinks, talks, and even looks the same. Naturally, Crunchy caught flack for this, and naturally, their response was to accuse fans of various phobias and isms, which only increases my displeasure.

More recently in the same vein, Crunchyroll is now getting accused of manipulating translations to match American political fixations. This is an issue Funimation had in spades, most infamously with Prison School and Miss Kobayashi’s Dragon Maid, but has taken steps to correct (by firing its freelancers). I don’t know for sure if Crunchy is actually doing this, but given what we saw of their staff in the High Guardian Spice ad, I’d be surprised if it wasn’t true. It’s becoming increasingly clear that the religion of social justice (for it is a religion) suffers nothing beside itself, so we are almost certainly going to see more and more politically incorrect gender-benders out of Japan being forced through a Gender Studies mold when translated into English. (Ten years ago, if you had told I would be defending Japanese animated traps against the charge of being transgendered, I would have responded 1) that you’re crazy and 2) that I don’t know what those words mean, yet here we are.)

And the huge deal that was Crunchyroll’s partnership with Funimation? Yeah, it’s over. The casualties, according to random people on my social media feeds, amount to 250 series being taken off Crunchy, including several I was looking forward to watching. Rumors have flown all over the place about what led to this, but the official explanation is that it has to do with Funimation’s acquisition by Sony. Some claim that this is Funimation’s rebuke to Crunchy’s rollout of High Guardian Spice, but I suspect that’s wishful thinking.

Meanwhile, Sony, which now owns Funimation, has made a bad reputation for itself with weebs because it is in the habit of heavily censoring eroge games. Personally, I don’t mind if hentai addicts are unable to get their drug, but I am nonetheless against censorship on principle: If they can censor hentai, they can easily move from there to censoring other things—such as anything that doesn’t accord with the social justice cult. If Sony doesn’t want T&A in its video games, then it shouldn’t port the games, not port censored versions. Telling an artist you don’t want his work is fine, but taking his work and changing it to suit yourself is extremely disrespectful. (Ten years ago, if you had said that I would be criticizing the censorship of pornographic video games, I again would have told you you’re crazy, but hey.)

Crunchy was for a while more-or-less the only game in town, but that’s starting to change. Amazon Strike didn’t get off the ground, and Netflix is too busy navel-gazing, but HIDIVE, which is now on VRV, is starting to look like a good alternative for anime streaming—though VRV is closely related to Crunchyroll and was created by some of the same people, so we’ll see what this means in the long run.

I will not be surprised if Crunchyroll goes the way of Tokyopop in a few years. We’ll see. If it does, it might take VRV with it.

I can’t justify more than one streaming service at a time given the pace at which I watch shows and my income. I’m currently on Amazon Prime (mostly because of interest in Made in Abyss), but once I’ve had my way with everything that looks interesting on Amazon, I may make the switch. I notice, for example, that HIDIVE has A Little Snow Fairy Sugar, though only in the dub, and that’s one I’ve wanted to see. In fact, it also has Made in Abyss.

UPDATE: As a reader informs me, Crunchyroll actually has updated its player. I guess I haven’t been on their site in a while. However, a few tests indicate that the new player doesn’t work with ad-blockers.

Happy Thanksgiving

I am visiting family for Thanksgiving and left my computer at home, so I am attempting a post from my phone for the first time.

I wanted to share a picture of magical girls celebrating Thanksgiving. Ladybug Girl will have to do instead. She counts. Sort of.

Finally Watching ‘Made in Abyss’

I was into Made in Abyss before it was cool … sort of.

The creator of Made in Abyss is one Akihito Tsukushi. I first learned of his existence when I discovered some stunning fan art he made for Fairy Musketeers, one of my all-time favorite magical girl shows. I thereafter learned that he had created a web serial called Made in Abyss, which was gaining some popularity because of its stunning artwork.

Overhead shot of the Abyss
The Abyss.

Not long after that, the anime adaptation was announced, and it was simulcast on the (now defunct) Amazon Strike. Around the same time, Seven Seas Entertainment nabbed the manga for a translation.

During its run, Made in Abyss was about all anime fans were talking about. I watched as the talk in my Twitter timeline slowly evolved from “Made in Abyss is amazing” to “whoa this is dark” to “exactly how perverted is Made in Abyss, anyway?”

Riko and Reg sleeping
Scandalizing Twitter since 2017.

Much as I wanted to, I was unable to watch Made in Abyss during its run, because I was in graduate school and working two part-time jobs, and I simply couldn’t justify the frivolous expense of a streaming service. Now that I’m gainfully employed, however, I’ve been exploring the anime available on Amazon Prime, but I hadn’t yet made it to Made in Abyss because I was working my way through some of the available magical girl shows first.

The two protagonists of the show
The heroes of Made in Abyss.

I’ve now seen two episodes of the show and, I must say, it so far is living up to the hype. Although perhaps not quite on the level of the intricate designs from its source material, the background art in this anime is freaking amazingsauce. I almost don’t care about the story because I’m too busy drooling over the artwork.

But the story is really cool, too. The premise is that there is this enormous pit, of unknown depth, full of dangerous monsters as well as powerful relics, and a city with an entire culture based on its exploration has grown up around its rim. The protagonist is one twelve-year-old Riko, an excitable girl who wants to live up to the reputation of her mother, who was one of the Abyss’s great explorers. Living in an orphanage where she is a “Red Whistle,” an apprentice cave-raider, she discovers a robotic boy who possibly came from the Abyss’s deepest and unexplored levels.

Reg
Reg, the robot boy.

Exploring the Abyss is not only hazardous in itself, but it comes with a “Curse”: the lower you go, the greater sickness you face when you try to rise again to the surface. Anyone who explores deeply enough cannot leave the Abyss again without dying or losing his humanity.

The characters of Made in Abyss are drawn in a style sometimes called “puni plush,” an exaggerated anime style in which everyone looks like a prepubescent child—like, moreso than usual, I mean. The character designs accent the sense of wonder and adventure, but belie some of the story’s grimmer themes.

Riko facing the camera
She looks so darn huggable.

The look and feel of this show is much like something that would come out of Studio Ghibli. Again, I’m only two episodes into it as I write this, but it is so far one of the best things I’ve ever seen. It’s has that sense that you’re watching something larger than itself, a story that was told around campfires long ago and that will still be told even after this particular version of it has been long forgotten. It feels timeless.

And the art! I sometimes just want to turn off the sound and stare at the pictures.

A gondola rising out of the Abyss
Shut up, Made in Abyss. I’m not paying you to talk.

An Archaeologist Plays Indiana Jones, Part 8

The adventure continues as we approach the end of the Prague levels. I’m taking a little time to relax here before making a final push on this section of the second volume of Jake and the Dynamo.