Recently got the previews of the book from the publisher. I’ve looked them over, made comments, and it looks like we’re on track (as far as I know) for the June 1 release date. It looks like we’re still waiting on cover art.
Working now to fix some of the last-minute issues, but from what I’ve seen of it, I think the book is going to look really good.
And it’s illustrated.
Tenuous, I say! Tenuous!
But tenuous though it is, I do have an update, and I wish to keep you informed. June 1st is the possible release date for volume 1 of Jake and the Dynamo. Once I have something more definite, you’ll be the first to know.
Pictured above is a detail from one of the interior illustrations by Roffles Lowell. I still do not have word on whether it will be possible to have these illustrations published with the book or not; I’m stumping for them, but I don’t have the final say on the matter.
(Speaking of which: Lowell, call me.)
So many missed opportunities, it’s not even funny.
I’d Tell You I Love You, But Then I’d Have to Kill You
This novel, with its clever yet over-long title, is the first book in Ally Carter’s bestselling Gallagher Girls series, which I’d never heard of before about a week ago when it happened to cross my desk. I picked this up because it has a funny premise; since it’s thematically related to the sort of thing I usually discuss here, it seems worthy of a book review.
Upon finishing this novel, my opinion is much the same as the one I started with: it has a funny premise. And that’s about it. Continue reading “Book Review: ‘I’d Tell You I Love You, but Then I’d Have to Kill You’”
Featured image: “Dazzling Bijou” by puddinprincess.
I have my notes back from L. Jagi Lamplighter, who graciously agreed to provide editing services for Jake and the Dynamo. She tells me that she and John C. Wright both found the book very funny, but she also made some incisive criticisms pointing out how it could be improved.
Writers in my circle had praised Lamplighter for her abilities as an editor, which is one of the reasons I had hoped she’d take me on. The praise was accurate; I had heard with the hearing of the ear, but now mine eyes have seen. She has an excellent command of story mechanics, and she knows exactly how to pinpoint problems precisely while at the same time framing her criticisms broadly enough to leave the author maximal freedom to work. On top of that, she criticizes in such a gracious style that she short-circuits the “you’re kicking my baby” response, which can be the knee-jerk reaction of some writers, especially newbs. Upon reading her advice, instead of the dismay I might normally feel when having my shortcomings explained to me, I felt an eagerness to get back to work.
Most of the changes she requested are minor, and she said I could probably make them in a single sitting. I think that would be one of her sittings, but it’s likely to take three or four of mine.
I have not had much time to write this summer as I’m currently working while getting a master’s degree in half the usual time. However, my summer term ends in two weeks, and then I’ll have a two-week break from schooling. That’s when I plan to make all the edits, put together a submission package, and get this sent off.
Lamplighter urged me to contact the editor of a particular press I probably shouldn’t name in a post yet. She said she’s already pitched my book there, and that the publisher is interested. That’s no guarantee of anything, of course, but it’s encouraging. I originally started this novel as a lark and expected to self-publish, but if an indie press wants to pick it up, that would be great.
I have my fingers crossed that the as-yet-unnamed publisher might be interested in not only the novel, but also the illustrations by Roffles Lowell—which he is hard at work on and has shown me preliminaries to prove it. I hired Lowell when self-publishing was still the plan, and I’ll be sure that he gets compensated and gets his work displayed one way or the other, but it would be awesome if I could convince a publisher that this is a light novel and thus needs illustrations. Obviously, an indie publisher such as the one to which I’ll be submitting is more likely to be persuaded on this than a big-name publisher, who would laugh contemptuously at any author who submitted illustrations with his written work.
I like working with Lowell, and I like seeing what he produces. We’re both newbs, so if we could break into the market together, that would be cool.
Since I’m now planning to submit to a publisher, I think it best if I put a halt to the web postings of the novel at least until I have publication matters squared away. Thus, the book is now on indefinite hiatus, for real this time.
If I end up self-publishing as originally planned, I’ll go back to posting the chapters here, but if I’m going to be publishing through a publisher, I should stop posting chapters for free consumption until further notice.
I’m not going to take down the already-published chapters (unless instructed to), but I don’t plan to add any more for the time being. Besides, as noted, I have no more to post at the moment, as I simply haven’t had much time to produce them.
On top of that, I’m going to be changing the way I tell this story anyway. My original intention was to write the whole thing and dump it on Amazon Kindle, but having realized that I have multiple novels’ worth of material, I’d like to switch gears. I will be (at Lamplighter’s recommendation) rewriting chapter 19 to make a better conclusion to volume 1, and then I’m going to take stock of chapters 20 and beyond to see how I can better shape them into a self-contained book. Now that I’m doing this as a series instead of one giant novel, I wish to ensure that each volume has its own complete arc, so I’ll probably be rearranging plot elements.
That’s all for now. Jake and the Dynamo is on hiatus, but the reviews and essays will continue until morale improves.
Cheah is a military veteran, so he knows his stuff. He writes technically dense military action told through rapid, clipped sentences. He has both a vast knowledge of his material and an excellent command of his prose.
The post-World War III world is a radically different place where magic and technology have become one in the violent struggle for global influence between nations. The rising powers of Persia and Musafiria are challenging the longtime dominance of the weakened Western powers, as the increasing use of magic provides them with a more level playing field.
Supernatural creatures from other planes are summoned and wielded as readily as machine guns and explosives by the special forces of the rival militaries, the most deadly of which are the elite contractors for the Nemesis Program. Both conventionally and unconventionally trained, the Nemesis Program is the hidden blade of the Hesperian National Intelligence and Security Agency, a weapon as lethal as it is deniable. But although they are given considerable leeway, not even Nemesis operatives are allowed to covenant with archdaimons… which poses a serious problem for Luke Landon when a simple assassination of a scientist goes badly awry.
NO GODS, ONLY DAIMONS is the first volume of The Covenant Chronicles, an exciting new supernatural Mil-SF series by Kai Wai Cheah, the Hugo-nominated author of “Titan Strike.”
