Category: News

Crunchyroll on the History of Magical Girls

Yet another video on the history of the magical girl genre, this time from the YouTube channel of Crunchyroll, the streaming service.

Any of these are necessarily selective, though I find this one slightly more irritating than usual. When it comes to discussing Sailor Moon, it focuses on gayness while ignoring more sigificant accomplishments and also claims Sailor Moon basically introduced homosexuality to anime—a statement as ignorant as all the claims from a few years back that Black Panther was the first movie with black people in it. Crunchyroll also treats of Puella Magi Madoka Magica as the first self-aware or self-critical magical girl series, a claim so common yet erroenous that it’s produced a cottage industry of blowback.

The genre has always been self-aware and included some amount of self-mockery, so much so that self-awareness may be one of its central characteristics, but it has also seen deliberate deconstructions before Madoka. What Madoka accomplished that its predecessors didn’t is a complete reorienting of the genre toward uglier content and more nihilistic themes. Madoka, like Sailor Moon before it, turned the whole genre into its imitators.

Aside from that, well, whatever; a lot of commenters over on YouTube have complained that this video fails to mention some particular series or other, but since this is a half-hour, condensed discussion, a lot is necessarily going to get excluded.

In any case, collecting historical overviews of the genre is part of my schtick here, so I repost them as I find them.

It may or may not be coincidental that Crunchyroll has recently acquired the rights to Healin’ Good Pretty Cure, which I believe is the first Pretty Cure series—except the original—to get licensed in English (not counting the brutally localized Glitter Force adaptations on Netflix). To a magical girl fan, that’s significant, and I hope it means more Pretty Cure series will appear on the service in the future. Since I refuse to use pirate sites, I still haven’t been able to watch most of this magical girl mega-franchise.

At the time of writing, however, only episodes 13 to 17 of Healin’ Good are available, but a notice indicates that episodes 1 to 12 will appear later. This perhaps represents some problems with the licensing.

Happy Sailor Moon’s Birthday

It is the official birthday of Sailor Moon today. As is fitting for such an event, the studio has released a video displaying the transformation sequences of Sailor Moon and Sailor Chibi Moon for the upcoming Sailor Moon: Eternal movie, as reported at Sailor Moon News.

Here is the video; the transformation starts about two thirds of the way in. Anyone familiar with Sailor Moon Super S, the series of the original anime that followed the Eternal arc, will notice the influence.

This movie is set to continue the (decidedly troubled) Sailor Moon: Crystal anime series, which sought to follow the manga more closely than the original anime did. Although it had a few innovative ideas (I am one of the few who likes the more developed backstory on the sailor scouts and the four Kings of Heaven), the show was troubled by poor animation and a variety of bad choices. Although a new director and new character designs improved the third series considerably, it still pales in comparison to its predecessor.

I can’t honestly say what I think about the upcoming Eternal movie, though I’ll be interested in seeing it. Super S is generally considered the weakest series of the old anime, so at least the new movie has less to compete with. It seems the production on this film has taken an awfully long time, which means either they’re being meticulous with it or the difficulties of the reboot are continuing.

Also, as I’ll explain later, I have a certain fondness for Super S, though I agree it’s not as good as the series that immediately preceded it. Its most notable feature, oft ridiculed, is a story arc in which a prepubescent girl falls romantically in love with a talking horse. A lot of people think that’s weird or creepy.

I think it’s funny as hell.

‘Made in Abyss: Dawn of the Deep Soul’ Coming to America

The movie Dawn of the Deep Soul, which continues the story of the acclaimed Made in Abyss anime, which I have reviewed, is slated for an American release at Anime Boston on April 11, according to Crunchyroll. After that, the film will see (presumably limited) theatrical distribution.

Personally, I’m not sure if I should be thrilled or disappointed. Rumors have swirled around for a while about a sequel to Made in Abyss, and one was announced at a talk show some years back, followed by speculations on a 2019 release date.

2019 is obviously behind us, but with the upcoming movie set to continue the story where season 1 ended, it is no longer clear if there will be a season 2 at all.

Amazon Censors ‘Rag & Muffin’

I’m just about finished with the current round of edits on Rag & Muffin. I’m currently on a long weekend from work, during which I’m entertaining my smol Asian gf. But I’m grabbing a few minutes here and there to put the polish on my manuscript.

Now about this post’s sensationalized headline: Amazon has come out with new “rules” that they will not allow book covers in which guns are firing, pointed at the viewer, or held by a minor.

That pretty much makes any conceivable cover art for Rag & Muffin impossible, since the book’s concept can’t be conveyed visually without an image of a minor holding guns. This is Minors Holding Guns: The Book.

And you can bet that Amazon will not be applying this rule to any big publishers. They won’t be banning manga. In fact, images of minors holding or firing guns are still easy to find on the platform:

Art from Gunslinger Girl depicting a young girl firing a submachine gun.
Still on Amazon.

This is obviously an excuse to crack down on indies and is likely a precursor to more aggressive censorship.

It’s worth testing how consistently Amazon can apply this rule, so I’d like to attempt to upload Rag & Muffin with relevant cover art. If the book gets rejected, my plan is to suggest to my publisher that we produce an image that says “BANNED BY AMAZON” in big letters, and put right in the book’s description that the content of the novel is too hot for Amazon to handle. Anyone who buys the book, either in print or digitally, will of course get the actual cover art.

Rag & Muffin
Phase:Proofing
Due:4 years ago
80%

Happy Sailor Moon’s Birthday

It’s June 30th, the official birthday of Sailor Moon. As this is the third or possibly the second most important holiday in the magical girl calendar, we cannot allow it to pass unnoticed. All are commanded to rejoice and make merry under penalty of death.

This is a traditional date for releasing news about the Sailor Moon franchise, and this year is no exception. According to CBR, there is now an official release date for Sailor Moon Eternal, the film that will form the sequel to the Sailor Moon Crystal anime series and interpret the manga’s fourth arc.

Here’s a teaser for the film:

This fourth arc is the one with Chibi Moon’s magic pony unicorn boyfriend. It just happens, coincidentally, to be where I’m at in the original ’90s anime … but it’s taking me a while to get through it because it’s really a downgrade after the show’s magnificent third season.

This film features yet another total character redesign, making the third for Sailor Moon Crystal. This time, the designs are by franchise veteran Kazuko Tadano, as reported by Anime News Network. The new, teased designs, as shown in the video above, look sort of like a hybrid cross between the original series and the new.

Some fans are excited, as I know from my Twitter feed, but my opinion is more mild, though that’s partly because I’ve gotten too old to geek out with wild abandon about this stuff. But what this all says to me is that Sailor Moon Crystal has been mostly a disaster. The first two seasons were poorly animated and poorly received, and the third, which revamped the character designs and brought on a new director, was only a slight improvement.

Each change in Crystal has been an attempt to bring it closer to the original ’90s anime: The third season reintroduced upgraded versions of the original’s poses, transformations, and hammy dialogue—but without the comedic timing or charm.

Getting the original character designer back on board appears to me just another acknowledgement that the new series failed to capture the magic of the original. This movie might end up being decent, but I doubt it will relieve this new incarnation of its reputation of being Sailor Moon: Also-Ran.

The United Nations Gets Something Right

I felt a great disturbance in the Force, as if a million perverts cried out in terror and were suddenly silenced.

The online anime community has been in an uproar since Valentine’s Day because the United Nations has proposed an expanded definition of child pornography. The “Optional Protocol to the Convention on the Rights of the Child,” currently in draft, defines child pornography as including “photographs, movies, drawings and cartoons” depicting “a child engaged in real or simulated sexually explicit conduct.” As usual, Know Your Meme has an impressively even-tempered write-up.

This has a lot of otaku and weeaboos in a tizzy because … well, because they want their sexually explicit depictions of children, and they’re not even trying to hide it anymore. Some have taken to referring to this as a “loli ban,” or in some cases, as in MaiOtaku, they’ve claimed the “United Nations is trying to ban anime,” which would be true only if anime and child pornography were synonymous.

Even calling it a loli ban is arguably disingenuous: Although the term loli is unquestionably of disreputable etymology (it ultimately derives from the novel Lolita), it is used by weebs as a generic term for any young girl characters, particularly ones who wear pseudo-Victorian dress, at least as often as it is used for child pornography. They’re trying to imply here that animators will no longer be allowed to depict children at all, which is simply not the case.

Taken in its literal meaning, this “loli ban” would actually ban only unambiguous child pornography, which means the creepers could still keep their panty shots and their suggestive transformation sequences and all the other things that manga and anime don’t need and would be better off without. In fact, it would probably have little effect at all anyway, since creators of this stuff long ago discovered that they could get around such rules by claiming that a clearly prepubescent character is actually eighteen or a robot or something.

And besides that, the U.N. is a joke and would have no actual power to enforce this anyway. I mean, what are they gonna do, invade Japan?

What is perhaps most dismaying to me personally about the whole affair is just how bad the arguments are against the U.N.’s proposed policy. Child pornography isn’t really defensible anyway, but jeez, it shows what a philosophical dark age we live in that these are the best defenses anyone can come up with.

The arguments against the policy, at least that I have seen, are two, and they go like this:

  1. Muh freedom. This argument is  that “free expression” is a good in itself and should not be impinged in any fashion. I live in the United States, which was at least formerly the world’s leading defender of free speech. Our First Amendment, in its phrasing and original context, was clearly meant to protect political and religious speech. In spite of some erroneous and disastrous Supreme Court interpretations, it was never meant to protect pornography, which once upon a time was as illegal here as in the rest of the civilized world.

    The error here is in treating free speech as a good in itself rather than as a means to a good end. Pornography, the disastrous effects of which are obvious to anyone honest with himself, has no possible good end and does not need to be protected as free speech. It is akin to the example of adultery that Aristotle uses in the Nichomachean Ethics: it is wrong in itself and cannot be done moderately or temperately, which places it in an entirely separate category from expressing one’s honest opinion on matters philosophical, political, or religious.

  2. No real children are involved so it doesn’t hurt anybody. This argument has popped up in various forms all over the place. It is an argument that derives from a degraded version of Utilitarian ethics.

    The Utilitarians have held to the view that ethical actions should seek to maximize the most good, or pleasure, for the largest number of people. Utilitarianism typically flounders in trying to determine how such a calculus could actually be done. Over time, it has degenerated into doing the least amount of harm, or “not hurting anybody,” rather than doing the most good. This enables people to get away with most anything simply by defining harm in such a narrow way as to excuse most any vice they want to indulge in. Animated or drawn child pornography may not harm a specific child directly, but it nonetheless harms children generally in that it normalizes the sexualization and sexual exploitation of children. It also harms, morally or spiritually, the artist who produces the work and the people who consume it.

Is Crunchyroll Crashing and Burning?

I’ve been hesitant to talk about it because most of what is coming my way is rumor-mongering.

I’ve sometimes defended Crunchyroll on this blog because I like what they do, mostly, but I’m becoming increasingly displeased and am beginning to share the same distaste for Crunchy that colors much of my Twitter feed.

First, there’s Crunchy’s longstanding failure to update its player, which is still running on the security nightmare that is Flash while the rest of the internet has moved to HTML5.

Then there is High Guardian Spice. It’s not so much that Crunchyroll wanted to follow other streaming services in creating dubious original content, but that it rolled it out in the most obnoxious way possible, failing to advertise the show itself but instead virtue-signalling about the sex of the staff working on it. On top of that, further checking reveals that the cartoon is based on somebody’s Tumblr comic, and that the characters are the standard smorgasbord of “diversity,” meaning everyone in the story thinks, talks, and even looks the same. Naturally, Crunchy caught flack for this, and naturally, their response was to accuse fans of various phobias and isms, which only increases my displeasure.

More recently in the same vein, Crunchyroll is now getting accused of manipulating translations to match American political fixations. This is an issue Funimation had in spades, most infamously with Prison School and Miss Kobayashi’s Dragon Maid, but has taken steps to correct (by firing its freelancers). I don’t know for sure if Crunchy is actually doing this, but given what we saw of their staff in the High Guardian Spice ad, I’d be surprised if it wasn’t true. It’s becoming increasingly clear that the religion of social justice (for it is a religion) suffers nothing beside itself, so we are almost certainly going to see more and more politically incorrect gender-benders out of Japan being forced through a Gender Studies mold when translated into English. (Ten years ago, if you had told I would be defending Japanese animated traps against the charge of being transgendered, I would have responded 1) that you’re crazy and 2) that I don’t know what those words mean, yet here we are.)

And the huge deal that was Crunchyroll’s partnership with Funimation? Yeah, it’s over. The casualties, according to random people on my social media feeds, amount to 250 series being taken off Crunchy, including several I was looking forward to watching. Rumors have flown all over the place about what led to this, but the official explanation is that it has to do with Funimation’s acquisition by Sony. Some claim that this is Funimation’s rebuke to Crunchy’s rollout of High Guardian Spice, but I suspect that’s wishful thinking.

Meanwhile, Sony, which now owns Funimation, has made a bad reputation for itself with weebs because it is in the habit of heavily censoring eroge games. Personally, I don’t mind if hentai addicts are unable to get their drug, but I am nonetheless against censorship on principle: If they can censor hentai, they can easily move from there to censoring other things—such as anything that doesn’t accord with the social justice cult. If Sony doesn’t want T&A in its video games, then it shouldn’t port the games, not port censored versions. Telling an artist you don’t want his work is fine, but taking his work and changing it to suit yourself is extremely disrespectful. (Ten years ago, if you had said that I would be criticizing the censorship of pornographic video games, I again would have told you you’re crazy, but hey.)

Crunchy was for a while more-or-less the only game in town, but that’s starting to change. Amazon Strike didn’t get off the ground, and Netflix is too busy navel-gazing, but HIDIVE, which is now on VRV, is starting to look like a good alternative for anime streaming—though VRV is closely related to Crunchyroll and was created by some of the same people, so we’ll see what this means in the long run.

I will not be surprised if Crunchyroll goes the way of Tokyopop in a few years. We’ll see. If it does, it might take VRV with it.

I can’t justify more than one streaming service at a time given the pace at which I watch shows and my income. I’m currently on Amazon Prime (mostly because of interest in Made in Abyss), but once I’ve had my way with everything that looks interesting on Amazon, I may make the switch. I notice, for example, that HIDIVE has A Little Snow Fairy Sugar, though only in the dub, and that’s one I’ve wanted to see. In fact, it also has Made in Abyss.

UPDATE: As a reader informs me, Crunchyroll actually has updated its player. I guess I haven’t been on their site in a while. However, a few tests indicate that the new player doesn’t work with ad-blockers.

At Long Last: ‘Amulet,’ Volume 8

If you’re not familiar with Amulet, the all-ages graphic novel series by Kazu Kibuishi, you should ask yourself what you’ve been doing with your life.

Kibuishi was the mastermind behind the incredibly good Flight anthology, and he started Amulet—a grim but family-friendly science fiction/fantasy mashup—many, many moons ago. In fact, I first heard of the series back when I was closely following Jeff Smith, creator of Bone, so that should have been, oh, a good decade past. Indeed, the Wikipedia page indicates that the first volume made its appearance in 2008.

Comic panel depicting an underground village

Continue reading “At Long Last: ‘Amulet,’ Volume 8”

Join Me for the Superversive Podcast Tomorrow at 4:00 Eastern Time

We’re going to have a livestream tomorrow, during which time I will be discussing the upcoming release of Jake and the Dynamo. Please join us. It should be at 3:00 eastern daylight time. The link to the stream should be posted at the Superversive SF blog ahead of time. If it isn’t there, you can look for it here, as I’ll be sure to wring it out of the guy so I can post it myself.

Current word is that the “hard” release date for the book, including the hardcopy, is September 1st. The eBook may be available before then. Again, I’ll keep you posted.

UPDATE: Time has been changed to 3:00 central, or 4:00 eastern.

‘My Little Pony’ Animator Arrested for Child Pornography

According to the Ottawa Citizen, Tom Wysom, who worked extensively in animation for My Little Pony and Littlest Pet Shop, both Hasbro franchises, was just arrested for possession and distribution of child pornography.

He had over 60,000 images and 1,600 videos on his computer. And I must say that these numbers always fascinate me in a perverse sort of way: surely if the first 59,000 images didn’t satisfy him, he should have figured that the 60,000th wouldn’t either. But then again, I probably don’t quite grasp how these people actually think.

I would bet even money that there is a lot of this in the field of children’s entertainment. The whole establishment is probably in need of burning with fire, starting with animation and moving from there.