Comic Book/Movie Review: ‘The Crow’

A rare instance in which the film is (arguably) superior to the book.

The Crow by J. O’Barr. Kitchen Sink Press, 1994. $15.95. ISBN 0-87816-221-6.

The Crow, written by David A. Schow. Directed by Alex Proyas. Starring Brandon Lee, Rochelle Davis, and Ernie Hudson. Lionsgate, 1994. 102 minutes. Rated R.

Recently, I serendipitous stumbled upon a copy of the graphic novel collecting the original series of The Crow, and immediately devoured it. I then followed it up with the film adaptation, which I had not previously seen.

The comic, which began as a short tale but turned into a long-running series, reads like a primal scream. Overwrought, pretentious, and sometimes sloppy, it is the brainchild of one James O’Barr, who created it as a means of dealing with a personal tragedy—the exact nature of which I have not learned and assume is none of my business. Although decidedly undisciplined as art of either the visual or storytelling variety, it is emotionally raw, so it is no surprise that it struck a chord with many readers and found a devoted fan following.

The interest in the graphic novel was enough to lead, in 1994, to a film adaptation. The movie takes a lot of liberty with its source material, turning O’Barr’s visceral cry of pain into a structured story with more character development, higher stakes, and a markedly different tone. Although well received by critics (and I can say it holds up over time), it is a cult classic in large part because of its star: Brandon Lee, son of Bruce Lee, took the titular role as the bird-themed goth-punk antihero but—with only eight days left to the production—died during filming from an improperly cleaned gun. His performance, though lacking the gravitas the role requires, has charisma and suggests a talent that might have developed had his life not been cut short.

Given this morbidly poetic on-set tragedy, to criticize the movie harshly almost seems sacrilegious.

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At Long Last: ‘Amulet,’ Volume 8

If you’re not familiar with Amulet, the all-ages graphic novel series by Kazu Kibuishi, you should ask yourself what you’ve been doing with your life.

Kibuishi was the mastermind behind the incredibly good Flight anthology, and he started Amulet—a grim but family-friendly science fiction/fantasy mashup—many, many moons ago. In fact, I first heard of the series back when I was closely following Jeff Smith, creator of Bone, so that should have been, oh, a good decade past. Indeed, the Wikipedia page indicates that the first volume made its appearance in 2008.

Comic panel depicting an underground village

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Comic Book Review: ‘The Courageous Princess’

The Courageous Princess, written and illustrated by Rod Espinosa. 3 vols. Milwaukee, OR: Dark Horse Books, . ISBN: 978-1-61655-722-5.

I am a fan of Rod Espinosa, a Filipino draughtsman, former submissions editor of Antarctic Press, and creator of Amerimanga, who has upwards of fifty titles to his name. Years ago, on my previous blog, I reviewed his Neotopia, Battle Girlz, Chronicles of the Universe, DinoWars, and the first volume of the series we’re about to discuss. My previous blog is offline, but these reviews may, in edited form, appear here at a later date.

The Courageous Princess was Espinosa’s Eisner-nominated breakout title. He originally created it as a self-published, illustrated storybook, and then he converted it into a comic and released it through Antarctic Press. The series, still incomplete, was collected and published in a single paperback volume in , and that’s what I previously reviewed. For a long period, the series remained unfinished as Espinosa worked on other projects, but he at last completed the story and released the entire series through Dark Horse in , now as a trilogy of graphic novels. The original collection, which is now the first volume, has been subtitled Beyond the Hundred Kingdoms, followed by two new volumes called The Unremembered Lands and The Dragon Queen.
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Comic Book Review: ‘Cleopatra in Space’

“But why are they in space? There’s no reason for them to be in space!”

Cleopatra in Space, written and illustrated by Mike Maihack. 3 vols. New York: Scholastic, 2014-2016.

We have before us a highly entertaining space opera swashbuckler aimed at a younger audience but also suitable for adults.

Author and illustrator Mike Maihack has worked on several different comics projects, including the webcomic Cow and Buffalo. He also produced an earlier webcomic version of the present story under the more facetious title of Cleopatra in SPAAAACE, which he halted abruptly in order to reimagine Cleopatra’s tale as a series of graphic novels, published through Scholastic’s Graphix Imprint. The stories of the graphic novels and webcomic differ in some details and do not overlap.

The series currently stands at four volumes, the fourth having released recently this year. I am here discussing only the first three, which are all I’ve got my hands on so far.

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