‘Captain Power’ is the Greatest Sci-Fi Television Show of All Time

All praise to the Machine! All glory to my Lord Dread!

At the moment, I’m unable to play DVDs on my computer, but I ask you to forgive the picture quality and to watch this video. In fact, since this is from a TV show that originally broadcast in the 1980s, the quality you see here is probably close to what you would have got back when this originally aired:

This is from the episode “Freedom One,” from the short-lived 1987 television series Captain Power and the Soldiers of the Future. This is in some ways the most ambitious television show ever made, being the first live-action show to have CGI-rendered characters (you can see one on screen here), being replete with action sequences and special effects, and full of innovative set design combined with miniatures. The show cost a cool million per half-hour episode and during its brief run had more-or-less taken over every film-processing studio in Toronto. Most of it was filmed inside a gigantic, abandoned bus depot that the creators, led by Gary Goddard, had filled with sets, miniatures, computers, and other equipment. J. Michael Straczynski, who became the de facto lead writer, credits Captain Power with teaching him the techniques of making a complex sci-fi television show on a budget, techniques he later used on Babylon 5. Continue reading “‘Captain Power’ is the Greatest Sci-Fi Television Show of All Time”

Was Cleaning Out Some Old Stuff, and Look What I Found!

“First my Striker terminal, then this, this little slap at my industrial complex. You’re a flea, Jonathan Power, and I’m going to swat you!”

I played this in a VCR, and I have no equipment to capture images from it except by photographing the screen, so please excuse the picture quality.

Anyway, I absolutely love Captain Power and the Soldiers of the Future, an ill-fated children’s television series that ran for one season in 1987. It was the first—and last—attempt at interactive television, something that many at the time mistakenly assumed was the future of TV. Costing a million dollars an episode, sparking controversy for its violent content, and plagued by continuous fights between the writers (led by J. Michael Straczynski) and sponsor Mattel, the show was destined for early cancellation. Continue reading “Was Cleaning Out Some Old Stuff, and Look What I Found!”