Magical Girls and Suffering Well

A fellow calling himself Exclamation Point, who makes pretty good videos analyzing anime, has recently uploaded one entitled “How to Suffer Well: Sympathetic Characterization in Madoka and Magical Girl Site.” From the title, I assumed he was going to use magical girl shows as a jumping-off point to discuss Stoical philosophy. I was wrong, but I think the video is still worth watching.

My opinion about “dark” magical girl shows is less positive than his, though, perhaps ironically, I think I enjoyed Magical Girl Site more than he did. His point in this video, which he makes very well (and then drives into the ground) is that the suffering in Puella Magi Madoka Magica stems directly from the characters’ decisions, and has consequences that fundamentally change their world, a world that is worth preserving. In Magical Girl Site, by contrast, life just sucks and then you die: The heroine is not at all responsible for all the bad things that happens to her, and she has no reason to preserve anything because everything is miserable.

He makes a good case, and I think what he says could apply not to Magical Girl Site only, but to the whole slew of “lesser” dark magical girl shows that have followed in Madoka’s wake without understanding why Madoka works. Magical Girl Site is just one particularly extreme example, one where the flaws especially stand out because it’s trying especially hard to be on the edge.

I basically agree with him, but I might point out that there is, at least, an improvement to the heroine’s life by the end: She’s got away from her abusers and found friendship, and has concluded, contrary to what she had been told and believed previously, that she is not in fact unfortunate.

Exclamation Point’s reply to me after I say that would no doubt be to point out that the heroine’s just going to die anyway within two years or less so her happiness is temporary and therefore pointless. I might then answer by way of rebuttal that all temporal happiness is temporary—and I might add that the story isn’t over yet by the time the first season ends, so it’s possible that the girls might find a way to foil the shortening of their lifespans.

Anime Review: ‘Magical Girl Site’

Should I be feeling bad? Should I be feeling good?

Magical Girl Site, written by Takayo Ikami and Kentaro Sato. Directed by Tadahito Matsubayashi. Starring Yuko Ono, Himika Akaneya, and Aina Suzuki. Production DoA, 2018. 12 episodes of 24 minutes (approx. 288 minutes). Not rated.

If Magical Girl Raising Project was a poor man’s Battle Royale, then Magical Girl Site is a poor man’s Magical Girl Raising Project. It starts out by trying too hard, though it gets interesting in its second half. In spite of my initial distaste, I found myself getting into it.

A sadist screaming in pleasure
Me, while watching Magical Girl Site.

I’ve previously discussed my reaction to the first episode. That initial hot take, unsurprisingly, contained a few speculations that turned out to be incorrect. But I stand by its overall conclusion: This is a show too desperate to be on the edge, an edge that so many shows have been on already, it looks clichéd rather than groundbreaking.

Continue reading “Anime Review: ‘Magical Girl Site’”

‘Magical Girl Site’ Review Incoming

I finally managed to get through Magical Girl Site. Although I was not impressed at first, I kind of got into it. It’s reminiscent of Magical Girl Raising Project, except with (in my opinion) a more interesting storyline.

Action sequences definitely not as good, though, and it breaks its own rules, and it’s trying too damn hard, tossing in gratuitous sadism for no other reason than to be “edgy.” It does have a few redeeming qualities.

I’ll see if I can write up a full review tomorrow.

Rachael Lefler Asks, ‘Have We Seen the End of the Magical Girl Genre?’

In light of Magical Girl Site, which I will be discussing at greater length in the near future, I recommend a reading of this essay, “Have We Seen the End of the Magical Girl Genre?” written by Rachael Lefler and posted at Reel Rundown. She discusses the increasingly grim tone of magical girl anime in the aftermath of Puella Magi Madoka Magica.

I think this is a thoughtful essay worth reading, but I disagree with her premise. She thinks the disappearance of lighter and happier themes in anime (which have not actually disappeared, incidentally) is due to politics: that is, the world has grown grimmer, and therefore our entertainment has grown grimmer, magical girl anime included.

I disagree with this for a few reasons. First. the world is not actually a more terrible place than in the past. That kind of myopia is common to every age, but it is false in every age. Bad stuff has always happened, and many more catastrophic things have happened in the past than have happened in our lifetimes. To support the view that this is myopic, I note that Lefler’s evidence that the world has gotten worse is very much centered on America, which is not the source of the anime she is discussing. (She does, however, note Japan’s concern over a declining birthrate—and this has become a discernible theme in anime lately.)

Second, the hypothesis she rejects almost out of hand, that grimdark magical girl anime is largely due to the influence of Madoka, would be in keeping with other patterns of influence both in this genre and elsewhere. The magical girl genre previously fell into the pattern of Sailor Moon because of its influence, so we should not be surprised that it has now fallen into the pattern of Madoka—though often with Madoka’s atmosphere and without the elements that actually make Madoka work. In a similar fashion, American comics fell into the pattern of Watchmen.

Third, lighthearted anime most certainly still exists. Moe and “healing” anime are definitely still things. In fact, we could probably make a stronger case that plotless, saccharine, slice-of-life CGDCT is eating the medium alive, than that grimdarkness is.

Fourth, this is not an unusual pattern for a genre. The move from clunky but sincere to more expertly crafted but sincere to snarky and insincere seems to be the typical process of growth, flourishing, and decay.

I don’t think it’s due to a change in the world at large, but an evolution in the genre itself, that we see all these deliberately miserable magical girl titles. The question on my mind is whether this genre is vigorous enough to survive the current trend. It survived Revolutionary Girl Utena, just as the mecha genre survived Neon Genesis Evangelion. It remains to be seen if magical girls are tough enough to survive Puella Magi Madoka Magica.

Initial Notes: ‘Magical Girl Site’

Somebody … make … it … STOOOOPPP!!!

Magical Girl Site, episode 1, “Magical Girl Site.” Directed by Tadahito Matsubayashi. Starring Yuko Ono, Himika Akaneya, and Aina Suzuki. Production DoA, 2018. 22 minutes. Not rated.

Available on Amazon Prime.

Speaking only for myself, I’m ready for the “dark” fad in magical girl anime to end. It’s been seven years now, guys.

Magical Girl Site is a twelve-episode anime series that came out this year and made a name for itself as one of the gruesomest and most depressing shows to appear during its season. The title has come up a few times during the controversy over the current (as of this writing) series Goblin Slayerso I thought, given that I just recently finished up Lyrical Nanoha StrikerS, now would be a good time to give Magical Girl Site a look-see. I doubt I’ll write an individual review for every single episode, but having watched the first, I wanted to put down some preliminary thoughts.

My initial impression is similar to my initial impression of Magical Girl Raising Project: that is to say, not very positive.

Main character Aya throwing herself in front of a train
What you’ll want to do after an episode of Magical Girl Site.

This anime is based on a manga by Kentaro Sato. Although I have not read the manga, I have read Sato-sensei’s other major title, Magical Girl Apocalypse, which is a genre mashup of magical girls and zombie survival horror—and of which Magical Girl Site is usually described as a spin-off. If Magical Girl Site is similar to its predecessor, then we can expect a lot of blood and guts, a lot of tasteless humor, a lot of cringey fanservice, and a regular round of violence and sexual assault approaching the level of torture porn.

School bully saying, The guts went everywhere.
Magical Girl Apocalypse summed up in one screenshot.

Continue reading “Initial Notes: ‘Magical Girl Site’”